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Scotland
Born This Week
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The Art of Advent
Home
About
Features
News
Scotland
Born This Week
Reviews
The Art of Advent
The oldest Student publication affiliated with the University of St Andrews
FEATURES
Features
April 23, 2026
The Works of Betsabeé Romero: Reconsidering Colonial Mexican Biombos as Kinetic Objects
April 23, 2026
April 23, 2026
April 16, 2026
A Conversation with Frank Gohlke: Reading the Landscape
April 16, 2026
April 16, 2026
April 9, 2026
Painting the Threshold: Contemporary Art and the Vienna State Opera's Safety Curtain
April 9, 2026
April 9, 2026
April 2, 2026
Vivienne Westwood’s Punk Legacy: Music, Manga, and Modernity
April 2, 2026
April 2, 2026
March 26, 2026
National Symbols and Contested Heritage: An Insight into Artists’ Activism in Southeast Asia
March 26, 2026
March 26, 2026
March 19, 2026
Confectioned Cities: A Global Art History made Edible (The Case of April’s Baker London)
March 19, 2026
March 19, 2026
March 13, 2026
'No friends @ the fashion show :(': Crowds, Spectacles, and the Art of Being Alone
March 13, 2026
March 13, 2026
March 6, 2026
The Year of the Horse: On Motion, Myth and the Eternal Gallop
March 6, 2026
March 6, 2026
news
News
April 20, 2026
What War Leaves Behind: the Modigliani Verdict
April 20, 2026
April 20, 2026
April 13, 2026
Presidential Patronage: Trump's Triumphal Arch
April 13, 2026
April 13, 2026
April 6, 2026
Iran's Cultural Heritage Caught in the Crossfire of US-Israel War
April 6, 2026
April 6, 2026
March 30, 2026
Benin Bronzes Return to Nigeria: Restoring Justice or Rewriting History?
March 30, 2026
March 30, 2026
March 23, 2026
The Writing on the Wall: Investigation Unmasks Banksy’s True Identity
March 23, 2026
March 23, 2026
March 16, 2026
Pavilion Battle: Can art be apolitical in times of war?
March 16, 2026
March 16, 2026
March 9, 2026
Dark Art: Jeffrey Epstein and his abuse of the art market
March 9, 2026
March 9, 2026
March 2, 2026
Changing Seasons, Changing Stations: New Louvre Director Appointed
March 2, 2026
March 2, 2026
s
co
T
l
A
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Scotland
April 21, 2026
Making a Dundee Icon: Steve Paterson and the Veneration of Jimmy Reid
April 21, 2026
April 21, 2026
April 14, 2026
“It’s [not] shite being Scottish”: Trackie McLeod’s Ode to his Scottish Roots
April 14, 2026
April 14, 2026
April 7, 2026
Arthur Melville's Parisian Advice
April 7, 2026
April 7, 2026
March 31, 2026
Building Blocks of Appreciation: Glasgow's Architectural Aesthetics
March 31, 2026
March 31, 2026
March 24, 2026
Beyond the Monument: Everyday Glasgow in Three Works
March 24, 2026
March 24, 2026
March 17, 2026
The Thistle: Scotland's Enduring Emblem
March 17, 2026
March 17, 2026
March 10, 2026
The Power of Absence in Alison Watt’s Paintings of Textiles
March 10, 2026
March 10, 2026
March 3, 2026
Hidden Gems: Legacy, Cameos, and James Tassie
March 3, 2026
March 3, 2026
born this week
Born This Week
April 22, 2026
Odilon Redon (1840-1916)
April 22, 2026
April 22, 2026
April 15, 2026
James Ensor (1860-1949)
April 15, 2026
April 15, 2026
April 8, 2026
Carol Rhodes (1959-2018)
April 8, 2026
April 8, 2026
April 1, 2026
Edward Hicks (1780-1849)
April 1, 2026
April 1, 2026
March 25, 2026
Jules Olitski (1922-2007)
March 25, 2026
March 25, 2026
March 18, 2026
José Sabogal (1888-1956)
March 18, 2026
March 18, 2026
March 11, 2026
David Smith (1906-1965)
March 11, 2026
March 11, 2026
March 4, 2026
Kanō Tan’yū (1602-1674)
March 4, 2026
March 4, 2026
REVIEWS
Reviews
April 24, 2026
An exploration of Factum Arte’s Studio in Madrid
April 24, 2026
April 24, 2026
April 17, 2026
‘New Treasures at the St Andrews Heritage Museum”
April 17, 2026
April 17, 2026
April 10, 2026
Between Art and Landscape: Louisiana Museum of Modern Art
April 10, 2026
April 10, 2026
April 3, 2026
Yayoi Kusama at Museum Ludwig
April 3, 2026
April 3, 2026
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